The Shadow Over Blackmore enters a crowded field: the Lovecraftian pastiche. Whether a novel, game, or film (depending on the specific work—here treated as a representative cosmic horror narrative), it immediately invites comparisons to H.P. Lovecraft’s The Shadow Over Innsmouth . The title alone signals its lineage. The central question, then, is whether Blackmore offers a fresh shadow or merely a faded photocopy.
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The climax opts for the traditional “transformation or annihilation” binary. The protagonist either joins the deep ones—or rather, Blackmore’s equivalent—or goes mad. There’s a poignant moment where they look into a mirror and see their own pupils turn vertical. It’s well written, but we’ve seen the same mirror in a dozen other stories. A truly bold move would have been to reject the transformation, to let the protagonist escape but carry a metaphysical rot that no sea change could cure. Instead, Blackmore plays the hits. The Shadow Over Blackmore enters a crowded field: