Gyorgy Sandor On Piano Playing Fix Now

He taught the "circular motion" for legato: As one finger plays, the next finger moves into position via a tiny rotation of the forearm, creating an unbroken line of sound.

Have you tried the "thumb over" method for scales? Does it feel more fluid than tucking the thumb? Let me know in the comments. 🎹 gyorgy sandor on piano playing

Unlike the Russian school, which advocates a high finger lift, Sándor argued that lifting the finger creates tension and a delay. He wanted the fingertip in contact with the key surface. The motion is a rapid, microscopic shock of acceleration from the surface, not a fall from the sky. He taught the "circular motion" for legato: As

Sándor's approach to piano playing was characterized by his emphasis on: Let me know in the comments

György Sándor’s greatest legacy is the destruction of the "finger school." He proved that piano playing is a whole-body activity. He compared the pianist to a dancer or a martial artist: coiling, releasing, rotating, falling.

Sándor famously organized all piano technique into five essential physical gestures:

Sit at the piano. Place all five fingers on five keys without playing. Feel the gravity in your arm. Now, play one note using only the tiny rotation of your forearm. That effortless, resonant sound? That is György Sándor smiling.